张旭

Zhang Xu

关键词：认知—文化经济；文化创意产业；新经济；后福特主义； 城市研究

Keywords：Cognitive-Cultural Economy; Cultural and Creative Industry; New Economy; Post-Fordism; Urban Studies

摘要：

1980 年代以来，全球化与世界经济重构及其对城市和区域发展的影响成为西方地理学界研究和关注的重点。其中，艾伦· 斯科特的认知—文化经济理论为近些年最具代表性和影响力的理论之一。该理论试图为资本主义经济发展和城市化之间的互动关系提供一个较为全面的分析框架，并对当前以认知—文化经济为基础的“第三波城市化”进行深入解释，一经提出就成为西方学术界关注和争论的焦点。本文首先详细回顾认知—文化经济理论的基本思想，在此基础上介绍三种对该理论主要的批评观点，最后就该理论对中国城市研究和城市建设的启示进行讨论。

Abstract：

Since the 1980s, globalization and the restructuring of the world economy as well as their impacts on the development of cities and regions have become a focus of research in the Western academic world of geography. One of the most representative and influential theories in recent years is Allen Scott’s cognitive-cultural economy theory. This theory attempts to propose a relatively comprehensive framework for analyzing the interactions between the development of the capitalist economy and urbanization, and to provide some in-depth explanations for the current process of “third wave urbanization” which is led by cognitive-cultural economies. It has attracted extensive attention and debates in Western academia immediately after being proposed. This paper firstly provides a detailed review of the basic ideas of the theory of cognitive-cultural economy, then introduces three main critiques against it, and finally discusses some implications for urban studies and urban development in China.

张旭，博士，武汉理工大学资源与环境工程学院，讲师。x.zhang86@hotmail.com

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